The Flowers of May
Francisco Arcellana

samara del rosario - h11-03

Is this death? Is Victoria dead? Did Victoria really die in a May afternoon?May is made up of rainy afternoons, clear evening skies, and green surroundings. The afternoon gets better after the rain - the fragrant air and brand-new skies make it better.Spring establishes rain and flowers in my mind. It makes me think of my parents, brothers, and sisters, the living and the dead. It makes me think of churches and how it feels to be inside them on a May afternoon.Maytime running in the rain of flower buds reminds me of my dad standing by the window, watching the rain in silence, while grieving with my mom beside him, all for Victoria.There are people. Living or dead. Churches and chapels in all the places I know. That is how churches on a May afternoon look; girls dressed in white. They stand or sit in chairs beneath the church dome in front of the altar with reed trays filled with several kinds of flowers; all the flowers of May. Praying and singing.I do not know why I find solace in visiting churches on a May afternoon. Is it because of the flower festival? Pleasing voices? The smell of strewn flowers, flowers of May.It is usually a different church each time but the young girls are the same, and the voices are pleasing, complementing the smell of a May morning.I can remember how my father would always stand still by the window thinking about Victoria. The scene makes me think of Verlaine.The tears fall in my heart
Like rain upon the town.
Victoria died in March. It rained the afternoon of her burial. She was ill and sixteen; and it was about time; she died in the arms of our father.It made me realize one thing. Victoria was my dad's loss, his only loss. After her death, Dad did not mention her name even once.My mother would always strike up a conversation with him. Father listens with an abstracted air and does not say anything.I can remember how Mother picked up three lilies. She carried the lilies to the family chapel and she stood in front of the Holy Family silently holding the lilies, probably sharing her agony with it.It was raining and the sound of the rain stopped. Father spoke with urgency and tenacity in his voice. "Enough of this," he said. My father had enough. I felt how tired and fed up he was. It hit me, no one wanted this. No one wanted this great depth of pain.While writing this, the flowers are gone. The flowers of May are gone. Victoria is gone. The process of dealing with grief cannot be defined by a set timetable. While we may eventually find healing from the painful emotions we have experienced, the reality is that grief can persist and remain a part of our growth journey. It is a complex and nuanced experience that requires patience, understanding, and self-compassion. We must be able to heal our emotional and mental scars without causing any further pain or damage to ourselves. It can be a difficult journey but know that you're not alone and there is support available.The love that people have for us endures, as do the memories we share with them. So that was death. Victoria is dead, actually dead.

Guide Questions:

How did the changes and retention impact the overall essence of the creative adaptation?- Since I changed the literary text into a blog, I think it made the biggest impact on me in a way that I felt more connected to the story because I wrote it in the first person as the narrator.Why do you think your creative adaptation best represents your chosen regional work?- Based on my previous answer, the short story is in a first-person point of view. This is also true for writing a blog, which is why I believe that blogging is the most suitable genre for this 21st-century Literature.How has your creative adaptation related to your regional literary appreciation and social awareness?- Through my adaptation, I gained a personal appreciation for regional literary texts and their power to raise social awareness. In the final part of my adaptation, I aimed to provide a statement that could be applicable to those who are grieving.